Swan Lake

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  • Review: 'Colony' Adds Shine To Los Angeles Ballet's 'NextWave LA'

    latimes.com 1 week, 6 days ago

    Besides smoothing the distance between classical serenity and stark abstraction, Balanchine ballets also deftly convey the rigorous design and rehearsal values that should bridge both worlds. Besides smoothing the distance between classical serenity and stark abstraction, Balanchine ballets also deftly convey the rigorous design and rehearsal values that should bridge both worlds.

  • Hot Slut Of The Day!

    dlisted.com 2 weeks ago

    Sarah from the upcoming The Amazing Race Australia , Season 2 - Starting sometime today, I will start training my chihuahua to sit real still in the basket of a tiny hot air balloon with a satellite dish hat on his head so that I can get the channel in Australia that airs Amazing Race, because I must see Sarah's delicately drawn crowbar eyebrows in motion. Sarah might be 32, but her eyebrows are at least 111 years old, because they were definitely transplanted from the face of a Victorian era villainess wit

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  • Entrance sign for swan lake - via Daymix
  • swan on lake (swan on - via Daymix
  • Swan Lake. Priory Pond - via Daymix
  • Swan Lake, Newcastle, Co. Down - via Daymix
  • Clip-On Swan Lake Vintage - via Daymix
  • No more ads ? Red lilies by ceyet - via Daymix
  • swan on tikvara lake (swan on - via Daymix
  • big male swan bird in lake - via Daymix

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Additional Info

via Wikipedia
Swan Lake ballet, op. 20, by Pyotr Tchaikovsky, was composed 1875–1876. The scenario, initially in four acts, was fashioned from Russian folk tales and tells the story of Odette, a princess turned into a swan by an evil sorcerer's curse. The choreographer of the original production was Julius Reisinger. The ballet was premièred by the Bolshoi Ballet on March 4  1877 at the Bolshoi Theatre in Moscow, billed as The Lake of the Swans. Although it is presented in many different versions, most ballet companies base their stagings both choreographically and musically on the 1895 revival of Marius Petipa and Lev Ivanov, first staged for the Imperial Ballet on January 15, 1895, at the Mariinsky Theatre in St. Petersburg. For this revival, Tchaikovsky's score was revised by the St. Petersburg Imperial Theatre's chief conductor and composer Riccardo Drigo.

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